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CLEMENT PAGE (England, Devon b. 1967 / act: London and Berlin) |
Clement Page was born in 1967 in Devon, England. He earned a Diploma in Fine Art from North Devon College of Art, UK (1985- 1987), B.A. Hon's Degree in Fine Art from Cheltenham College of Art, UK (1987-1990), M.A. in Critical Theory/ Fine Art from Goldsmiths College, London, (1991-1992), and an M.A. in Interactive Art & Media from Westminster University, London (1996-1998).To date Clement Page has produced a fair number of film and video art, such as Stabat Mater (1995); Take a Glass of Water (1998); Journey to the End of Night (2000); Unknown Disturbance (2004); Sleepwalker(2005); Tiny Pain (2005); and Turned to Stone (2006). Page has also made a number of publications, such as Matthew Barney: Masculinity at the Margins, Coil Journal of the Moving Image, No 2, 1995; Hamad Butt, The Art of Metachemics, Third Text Journal, autumn 1995; Claes Oldenberg, Monuments to the Imagination, Transcript Journal Vol. 2, Issue 2, 1996; Jana Sterbak, I Want You to Feel the Way I Do, Third Text Journal, summer 1996; and Pasolini's Archaisms: Representational Problematics from Naples to Calcutta, Third Text Journal, spring 1998. Page has also been a Visiting Artist and Lecturer at Tate Gallery, London (1995-1999); Sotheby's Institute London (1994-1998); Goldsmiths College - University of London (1995-1997); and The Ruskin School of Art, Oxford University (1994-1995). Alongside his art Clement Page was a founding member of Derbyshire Street Arts, London , an artist run studio and charity. Other members of the studio included: Simon Patterson, Fiona Banner, Bridget Smith, Matthew Collings, and Monica Oeschler. Clement Page has received grants and awards from the Austrian Cultural Forum, London, twice in 2005 and 2006.
Clement Page has presented the following personal exhibitions: Recent Videos, Lowinsky Gallery, New York (1995); So Much to Tell, The Commercial Gallery, London (1997); Topologies, The Factory, London (2002); Unknown Disturbance, Trafalgar Art Hotel, London (2004); Sleepwalker, Jack Shainman Gallery, New York (2005) and VTO Gallery, London (2005); Turned to Stone, Austrian Cultural Forum, London (2006) and Riverside Studios Cinema, London (2006); Sleepwalker: Film & Photography, E31 Gallery, Athens, Greece (2006); Forthcoming: New Painting and Film, DNA Gallery, Berlin (2007); Film & Photography, Citeric Gallery, Italy (2007); Film & Painting, Zelle Gallery, Italy (2007); Sleepwalker, Facoltà di Architettura, Sicily, Italy (2008); Clement Page: Watercolors, E 31 Gallery, Athens, Greece (2008); Kuckei + Kuckei, Berlin (2009); Foto-Medium Art, Krakow (2009); and Citric Gallery, Brescia, Italy (2009). § He has also taken part in the following group exhibitions: Brick Lane Open, Heritage Centre, London, UK 1993; Billboards Project, Central London, Organised by F.A.T Architects, UK 1993; Well Spring, site-specific works in city of Bath, England (1994); 50x50x50x50, Non-location, Answer Machine Project, London (1994); Swimming & Reading, London(1994); Sick, Brick Lane Gallery, London (1995); 6th Biennale International Video Week, Geneva, Switzerland (1995); Ideal Standard Summertime, The Lisson Gallery, London (1995); Lost for Words, Coins Gallery, London (1996); Ehlers Caudill Gallery, Chicago (1999); Come To Light, Cell Projects, London (2005); LOOP Video / Film Art Fair, Barcelona, Spain (2006); DIVA Video / Film Art Fair, New York (2006); and Silent Voices: Portraits from the ACG Art Collection, The American College of Greece, Athens (2008).
[Megakles 08/2006]
BIBLIOGRAPHY:
EDITOR Review: Lost for Words 1996 December, Time Out, London
EDITOR Review: Sick 1995 November, Time Out, London
EDITOR Review: Ideal Standard Summertime 1995 Summer, Frieze Magazine, London
EDITOR Review: Answer Machine Project 1995 December, Time Out
DYER, RICHARD Review: Topologies 2003 Winter, Contemporary Magazine, London
CATALOG Come to Light 2005 Cell Projects, London
DYER, RICHARD Special International Emerging Artists 2006 Contemporary Annual, London
